artWork
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resonance of ruin

The Great Arrival

Jorge daCruz • "Resonance of Ruin: Deconstructing Babel through Charcoal" Series - 200x140cm • Charcoal on Paper • Berlin 2020

In the dimly lit realm of contemporary art, where innovation constantly pushes the boundaries of creativity, "Resonance of Ruin: Deconstructing Babel through Charcoal" emerges as a poignant reimagining of a timeless narrative. Akin to the works of the Northern Renaissance master Pieter Brueghel the Elder, it elegantly intertwines history, myth, and modern perspective in a captivating dialogue of destruction and rebirth. This piece not only pays homage to the renowned "Tower of Babel" but also forges an intriguing journey into the tangled web of human ambition and its consequences.

As the viewer gazes upon it, the first sensation to wash over is the palpable tension of human aspiration. The tower, emblematic of humanity's audacity to reach for the heavens, is rendered with meticulous detail, each charcoal stroke mirroring the layered complexities of human endeavor. It stands in a precarious state, an amalgamation of various architectural styles that whispers of past attempts and endeavors. This layering itself, reminiscent of Brueghel's intricate and rich compositions, fosters a connection with the original masterpiece, inviting viewers to delve into the echoes of history.

However, what truly distinguishes this piece is the masterful twist applied to the well-worn tale. The narrative of collapse is amplified here – a tower teetering on the precipice of destruction, each layer burdening the one below, bearing the scars of overreaching ambition. The artist's attention to the nuanced textures of the charcoal medium imbues the tower with a tactile realism, making its impending downfall all the more tangible. One cannot help but feel a certain sympathy for the laborers and visionaries who, amidst the wreckage of past attempts, constructed anew with fervor and naivety.

The intersection of myth and modernity is where this piece truly shines. In the foreground, the watery expanse of disaster is a haunting revelation. Small boats, laden with both the weight of human survival and the remnants of aspirations gone awry, navigate the tumultuous waters. This poignant addition, a subtle nod to Brueghel's characteristic rendering of minute details, encapsulates the essence of the Babel myth – the confounding of communication, the unruly currents of human intent, and the ever-present threat of nature's retribution.

"Resonance of Ruin: Deconstructing Babel through Charcoal" does more than simply reinterpret a classic. It offers a profound reflection on the cyclical nature of human ambition and the recurring patterns of history. Through the monochromatic lens of charcoal, it conveys the fragility of our endeavors, the beauty in the ruins, and the resilience to rebuild despite the lessons of the past. As Brueghel once captured the complexities of his era, this piece illuminates the intricacies of our contemporary condition. It stands as a testament to the enduring power of art to transcend time and capture the essence of the human experience..

Pieter Bruegel the Elder- detail - 1563-oil on wood panel - 114 cm × 155 cm Kunsthistorisches Museum


The Great Arrival or The World Creation, charcoal on paper, 2018 | 240x300cm l © k37 studio, bethanien Berlin (Enter Foundation Collection)

This charcoal drawing by Jorge daCruz is a striking reinterpretation of Paolo Veronese's iconic masterpiece, "The Wedding at Cana". However, in this drawing, the joyous celebration has been replaced by an eerie and unsettling scene of disaster. Water floods the space, drowning some of the guests, while others appear to be oblivious to the chaos around them. The birds in the horizon seem to sense the impending catastrophe, their flight path depicting a sense of fear and urgency. The rich textures and stark contrasts of the charcoal medium convey a sense of depth and emotion that draw the viewer in, inviting them to contemplate the complexity of human nature and the fleeting nature of life. Despite the ominous tone of this reinterpretation, the essence of Veronese's original work is still present. The abundance of food and drink, the beautiful setting, and the gathering of people from all walks of life are all visible. But by subverting our expectations of the joyous occasion, this drawing invites us to consider the deeper meanings behind such celebrations, the unpredictability of life, and the indifference of some people in the face of disaster. In conclusion, this charcoal drawing by Jorge daCruz is a powerful reinterpretation of Veronese's original masterpiece, bringing to the forefront a sense of fear and urgency that is often missing in the original. It is a powerful reminder that life is unpredictable, and the end may be near at any moment, inviting us to consider our mortality and cherish every moment we have.

"The Wedding Feast at Cana" Paolo Veronese detail - 1563 - Oil on canvas -6.77m×9.94m - Louvre Museum

"The Wedding Feast at Cana" is a monumental masterpiece by the Italian Renaissance artist Paolo Veronese, completed in 1563. This oil-on-canvas painting, measuring approximately 22 feet by 32 feet, is housed in the Louvre Museum, Paris. Depicting the biblical story of Jesus turning water into wine at the wedding in Cana (John 2:1-11), the composition is grand and complex, set in a sumptuous banquet hall with classical columns and arches.

Veronese's attention to detail is evident in the diverse array of figures, including guests, musicians, servants, and animals, each portrayed with meticulous expressions and poses. The opulent Venetian attire reflects the fashion of the Renaissance, showcasing the artist's skill in rendering fabrics, jewels, and intricate patterns. The rich and vibrant palette, featuring deep reds, blues, and shimmering golds, contributes to the visual impact, while the interplay of light and shadow enhances the three-dimensional quality of the scene.

Originally commissioned for the Benedictine monastery of San Giorgio Maggiore in Venice, the painting later found its place in the Louvre, where it remains one of Veronese's celebrated masterpieces. "The Wedding Feast at Cana" stands as a testament to the artist's ability to create visually stunning and emotionally engaging works, capturing the opulence and spirit of the Venetian Renaissance.