“Bacchus and a Divine March” — after La Jeunesse de Bacchus
@notattoo_berlin · @visionsofecstasy.studio
Tattooed for @etions_formidables

This tattoo comes from La Jeunesse de Bacchus — not as a fragment, but as a movement. What matters here isn’t a single figure. It’s the procession itself. A march that never really stops.

Painted in 1884 by William-Adolphe Bouguereau, the work pulls you in through rhythm and scale. Bacchus is still young — suspended between innocence and something older, wilder, inevitable. He doesn’t stand as a monument. He moves. He leads.

The figures around him breathe as one: nymphs, satyrs, dancers, musicians. No spectators. No hierarchy. Just bodies in motion, held together by a shared pulse. Bouguereau’s control is absolute, yet the image never feels fixed. Order holds — but only just. Something escapes.

The tattoo was placed on the back of the knee — a demanding area, intense and unforgiving. It felt right. Like the procession itself, the piece asked for endurance. For surrender.

This isn’t a myth frozen in time. It’s a reminder of something deeply human — the need to step outside structure and follow a rhythm without knowing where it leads.

The procession is still moving.
And the march goes on.

j