48350236531_9f1dba6146_b copy.jpg

TattooLog


References, processes and ideas that guide my tattoo work. It’s a space to give context and clarity to the style and the thinking behind the designs.

 

On Sisyphus and the Absurd


On Sisyphus and the Absurd

Repetition becomes a ritual. Focus becomes resistance. Even futility becomes a form of attention.

In Greek mythology, Sisyphus was condemned by the gods to an eternal punishment: push a boulder up a hill, only for it to roll back down—forever. No victory, no ending. Just repetition.

Albert Camus took this myth and turned it into something more than punishment. For him, Sisyphus wasn’t just a tragic figure—he was a symbol of the human condition. We live, we work, we try. We search for meaning in a world that often doesn’t offer answers. Like Sisyphus, we push. And like him, we start over. Again and again.

Camus called this the absurd: the tension between our need for meaning and the silence of the universe. But he didn’t say we should despair. He said we should imagine Sisyphus happy.

Not because the task changes. But because Sisyphus chooses it. He becomes conscious of the absurd, and in that awareness, he finds freedom. He owns the struggle. He becomes stronger than the punishment.

There’s something beautiful in that idea. That maybe life isn’t about reaching the top. Maybe it’s about how we keep climbing, knowing the stone will fall. And still doing it with strength. With grace. Even with joy.

And maybe there’s also something in the rhythm itself. The climb, the descent. The quiet space between failure and starting again. In a strange way, Sisyphus is fully present. He has no illusion of progress—just the act itself.

We’re not so different. We wake up. We work. We feel stuck, or tired, or uncertain. But sometimes, meaning isn’t in the outcome. It’s in how we carry the weight.


Berna Valada


Sisyphus
Titian (Tiziano Vecellio)
c. 1548–1549
Oil on canvas
237 × 216 cm
Museo del Prado, Madrid, Spain

"Albert Camus – The Myth of Sisyphus", illustration by Vedran Štimac (2016).


In this portrait, the silhouette of Sisyphus appears inside Camus’ own profile, carrying his stone bound in metaphorical chains — an interpretation that fuses the philosopher’s face with the eternal weight of the myth. It’s an introspective, poetic, and unexpected depiction of the absurd.


jorge cruzComment